Volume 23, No. 1.
Idealism and Contemporary Film Theory

Table of contents

1. Idealism and Contemporary Film Theory

   Corey Cribb, Laurence Kent, Laurent Shervington

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1. The Mark of the Brief Night: Immanent Loss and Responsibility

   Mihai Băcăran

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2. Documentary Intersubjectivity

   Eric Coombs Esmail

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3. Maurice Merleau-Ponty, Vivian Sobchack and the Materialization of Cinematic Sense

   Corey Cribb

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4. (Dis)locating the Subject, Moving the Image and Reasoning with History

   Sudeep Dasgupta

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5. The Con·temporary in Cinema

   Cristóbal Escobar

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6. Becoming George

   Dr John Hillman

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7. Deleuze, Benjamin and the Deterritorialisation of Film Subjectivity

   Andrew Jampol-Petzinger

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8. Transcendental Reelism

   Laurence Kent

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9. Scenes of Instruction: The King of Comedy

   Dominic Lash

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10. Mechanical Creativity in the Shift from the Absolute of German Idealism to Real Thinking: Towards a Transcendental Materialism of Film-Philosophy

    Warwick Mules

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11. Like Spectator, Like Subject: The Cinematic Framing of the Dialectics contra Object-Oriented-Ontology Debate

    Laurent Shervington

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