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The Psychogeophysics of Bangka Island: On Tin, Mining, and Materiality

Abstract

In 2018, researchers from the Massachusetts Institute of Technology (MIT), commissioned by the mining corporation Rio Tinto, released the list of metals they expected to be most impacted, in terms of increased demand, by upcoming technologies. Tin ranked highest as the most impacted. Almost one- third of global tin supply is extracted from two islands in the western archipelago of Indonesia, Bangka and Belitung. In this paper, I focus on fieldwork undertaken in Bangka Island and re-examine the materiality of tin and its complex entanglement with humans through psychogeophysics. This involves bringing a creative approach to the practice of the geophysical survey as a method and solo dérive. The practice of psychogeophysics seeks to provide an analysis of an island that has been actively mined and geo- transformed for millennia. I begin by exploring the history of tin on Bangka island, then focus on the construction of tin’s value and the dynamic relationship between humans, nature, and labour as conceived among different groups of people and issues; an entanglement between small-scale unconventional miners, mining company PT. Timah, the indigenous Orang Lom, and scientists speculating on phytomining in Bangka. The psychogeophysical approach implies a research practice of experiencing and encountering, which seeks to apply a critical epistemological instrument by which to gain knowledge regarding the way in which tin is enmeshed in the geophysical, political, cultural, and technological realm.

Keywords

psychogeophysics, practice research, creative arts, tin metal , materiality

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Author Biography

Riar Rizaldi

Riar Rizaldi works as an artist and researcher. Born in Indonesia and currently based in Hong Kong, his main focus is on the relationship between capital and technology, extractivism, and theory-fiction. Through his works, he questions the notion of (a)temporality, image politics, materiality, media archaeology and unanticipated consequences of technologies. He is also actively composing and performing sonic-fiction using the methods of field recording and foley through programming language. Riar has also curated ARKIPEL Jakarta International Documentary & Experimental Film Festival — Penal Colony (2017) and Internet of (No)Things (2018) at Jogja National Museum. His works have been shown at Locarno Film Festival, BFI Southbank London, NTT InterCommunication Center Tokyo, and National Gallery of Indonesia amongst others. Riar is currently a PhD candidate at the School of Creative Media, City University of Hong Kong