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Plant thinking as geo-philosophy

Abstract

At a time of ecological threat, artists and philosophers are increasingly turning to the plant world for information. Plant theorist Michael Marder charts the philosophy of plants and explores how human thinking is altered by encounters with the vegetal world. Janet Laurence is a major international artist who engages with plant theories and whose work references scientific research into plant learning, memory and aesthetics.

Laurence has worked with botanists, naturalists and scientists to create new phyto-elements that become art. Her immersive and interactive installations restore balance between science and art, as she utilizes plants as metaphors, as communicators and as co-species. Through her work, a regrounding and geo-mining of nature, as articulated by geo-philosopher Ben Woodard and geo-philosopher Jussi Parikka, is possible.

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Author Biography

Prudence Gibson

Dr Prudence Gibson is author of Janet Laurence:The Pharmacy of Plants UNSWPress 2015, and The Rapture of Death Boccalatte Publishing 2010. She teaches in creative writing at the University of New South Wales and has published seven academic peer-review journal essays and seven short stories published in fiction journals, Antipodes, Eureka Street, Etchings Journal and Blood. Gibson has published over 380 articles, reviews and catalogue essays on art for Artlink, Australian Art Collector, Vogue, The Australian, Art Monthly, The Conversation and more. She has curated exhibitions The Carpentry of Speculative Things, Alaska Projects 2013 and The Pharmacy of Love and Hate MCA Artbar 2013, with an exhibition Aesthetics after Finitude 2015 at UNSW. Her research interests comprise plant philosophy, experimental art writing and hybrid creative/academic writing.