Skip to main navigation menu Skip to main content Skip to site footer

Mann and Woman: the Function of the Feminine in the “Noir Westerns” of Anthony Mann

Abstract

This paper considers the ways in which the feminine has been considered and theorized in the critical literature on the genre. We consider and explore the relationship between two issues in particular, on the one hand the problem of female acquiescence in relation to the “shoot-out.” We call this the “Virginian effect” due to its derivation from the climactic moment in Owen Wister’s seminal and hugely influential novel The Virginian (1902), in short the moment where the female who loves the male hero renounces her previous opposition to the hero engaging in a shoot-out with the villain. On the other hand the issue of female circulation in the Western, the capacity of women to move between differing and even opposing sides in a Western conflict. We explore the relationship between female acquiescence and circulation in three early Anthony Mann westerns.

PDF

Author Biography

David Baker

David Baker lectures in the School of Humanities at Griffith University in the screen studies program. David researches in the area of screen history and aesthetics and he has recently published on lesbian vampire films in the 1970s and Elvis movies.

Danni Zuvela

Danni Zuvela teaches in the School of Humanities at Griffith University in the screen studies program. Danni is a researcher and curator who has recently published about women's expanded cinema practice and Australian experimental film history.